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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Thomas Archbold, Durham, 1826 by John Dempsey

Street fare

General content

The late Georgian and early Victorian working classes often bought their food in ale-houses, chop-houses and ‘penny pie shops’, or purchased their meals day after day in the streets.

Lady Jessie and Sir Donald Bradman, Kensington Park, Adelaide, South Australia

A good innings

Devotion

Childhood sweethearts

King Edward VII, 1910 by George Lambert

King Edward Terrace

Behind the street name
Visiting the gallery

King Edward Terrace was named in honour of King Edward VII (1841-1910)

Portrait of Lady Eyre Williams (Jessie Gibbon)

Here’s looking at you, kid

Devotion

Is he thinking of me?

Baby Guerrilla standing behind a large artwork in a room with a wooden floor and a large window looking onto a leafy green garden

Baby Guerrilla

Artists and Collectives

Baby Guerrilla is a street artist based in Naarm/Melbourne. Her exquisite large-scale drawings of figures made into paste-ups celebrate humanity.

Senator Bonner

Portrait of a nation

Australian Schools Portrait Project
Learning resource archive

Explore portraits of those who had a Canberra suburb or street named after them. For primary students.

Copeman, gardener, Great Yarmouth by John Dempsey

Calling all family history buffs

3 July 2017
Archived media releases 2017

The National Portrait Gallery is calling on family history enthusiasts and amateur historians to tell it more about the people in its new show, Dempsey’s People: A folio of British street portraits from 1824-1844.

Billy the match man, Liverpool, 1844 by John Dempsey

Rare Set of Watercolour Paintings on Display for the First Time

15 June 2017
Archived media releases 2017

A rare and enchanting collection of 52 portraits of British street people will be on display for the first time in the National Portrait Gallery’s winter show, Dempsey’s People: a folio of British street portraits 1824-1844.

Porter, Charing Cross, 1824 by John Dempsey

John Dempsey folio

General content

View the full collection of portraits in the exhibition.

Match woman, c.1823 by John Dempsey

Do you know more?

General content

The National Portrait Gallery is calling on family history enthusiasts and amateur historians to help reveal more about the people in Dempsey’s People: A folio of British street portraits from 1824-1844.

Some women you may not know, 2022-2023 Alison Alder

Some women you may not know

Alison Alder

‘Everybody’s lives are built by so many influences, and for me, it is writers, artists and activists who have influenced how I think about the world.’

Angus Trumble and David Hansen

National Portrait Gallery Director's tenure ends in triumph

30 November 2018
Archived media releases 2018

National Portrait Gallery Director Angus Trumble is ending his five-year tenure with a flourish, after announcing that Gallery publication Dempsey’s People: A Folio of British Street Portraits 1824-1844 has been awarded the 2018 William MB Berger Prize for British Art History.

Ned Kelly death mask

The Waxworks

General content

Waxworks were among the various types of entertainment venue to emerge in Australian cities in the mid-nineteenth century. 

At the Pantechnetheca, Exhibition, Eastern Arcade, Dominick Sonsee, the smallest man in the world

The Freak Show

General content

Many performers availed themselves of the services of photographic studios, posing for carte de visite portraits that served as souvenirs and as instruments in the making of renown and notoriety.       

Bathing woman, Bridlington, c.1825 by John Dempsey

Allow me to introduce...

General content

These full-length figures in watercolour, gouache and pencil date mostly from the 1820s, and almost all come from the collection of the Tasmanian Museum and Art Gallery, Hobart.

The Living Room, 2012 by Janet Tavener

Janet Tavener

Finalist interviews

Mikala is the eldest of my three daughters. I have photographed her on many an occasion. Needless to say we are both extremely at home with the practice.

Angus Trumble

12 October 2022
Media

Members of the Board, Foundation and staff of the National Portrait Gallery are deeply saddened by the sudden passing of Angus Trumble.

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Portrait Donors

Listed by year
Honour board
Portrait23: Identity logo

Announcing... Portrait23: Identity

15 November 2022
Media

In this major new exhibition marking the National Portrait Gallery’s third decade, 23 Australian artists and collectives have been invited to create portraits without constraints or boundaries.

Arthur Streeton

The 1890s to the 1940s

Mo and beard timeline

Although the tough, weathered, hard-drinking bushmen of the kind mythologised by writers like Banjo Paterson and Henry Lawson are popularly associated with the character of late nineteenth century Australia, it was also a time when alternative ideas about identity began to come into play.

Helena Rubinstein in a red brocade Balenciaga gown

Philanthropic donations enable otherwise unobtainable acquisition

20 October 2016
Archived media releases 2016

A magnanimous portrait of Helena Rubinstein has been acquired for the National Portrait Gallery’s collection.

Cormac and Callum, 2008 by Ingvar Kenne

NPPP 2009 exhibition essay

General content

Dr Christopher Chapman, National Photographic Portrait Prize judge and curator, introduces the 2009 Prize.

The vigil, 2011 by Anthony Anderton

Anthony Anderton

NPPP 2012 learning resource

An interview with the photographer.

Andrew Sayers AM

Past directors

History

Directors of the National Portrait Gallery from 1998 to today.

June Dally-Watkins

2023 Annual Appeal

Annual Appeal

In 2023 the Annual Appeal was focussed on a work by one of Australia's best loved and most successful portrait painters, Judy Cassab AO CBE, depicting model, entrepreneur and deportment icon, June Dally-Watkins OAM.

Keep the balance, 2010 by Eko Nugroho

Eko Nugroho

by Adeline Ooi
Artist essays

Born and raised in Yogyakarta, Eko Nugroho (b. 1977) entered the art scene at the height of Reformasi.

I was not waving but drowning II, 2005 by Atul Bhalla

Atul Bhalla

by Khavita Singh
Artist essays

Atul Bhalla was born in 1964 in New Delhi. He frequently combines photography, installation, sculpture, video, painting and performance to question the human relationship with the natural and constructed environment.

Eden, 2011 by Arianne McNaught

Arianne McNaught

NPPP 2012 learning resource

An interview with the photographer.

Refound line, 2011 by S Teddy D

S Teddy D

by Elly Kent
Artist essays

S Teddy D was born in Padang, Sumatra in 1970, and studied painting at the Institut Seni Indonesia (Indonesian Institute of Art) in Yogyakarta.

Landlocked, 2008 by Nadiah Bamadhaj

Nadiah Bamadhaj

by Beverly Yong
Artist essays

Born in Malaysia in 1968, to a Malaysian Muslim father and a New Zealander mother of Scottish descent Nadiah Bamadhaj studied Fine Arts in New Zealand, and is currently working on a PhD from Curtin University, Western Australia.

Abduction/The Forest, 2009  © Pushpamala N.

Pushpamala N

by Ajay Sinha
Artist essays

Pushpamala N. was born in 1956 in Bangalore. Her early training was in sculpture, but as her practice progressed she brought an early enthusiasm for narrative figuration into her photographic work.

Noel McKenna, 2016 by Mark Mohell

Noel McKenna

Explore The Popular Pet Show

It’s a matter beyond dispute that in the entire history of Australian art, it’s Noel McKenna who’s painted the liveliest rendition of the head of a Chihuahua.

Self portrait

Rick Amor: 21 Portraits

General content

Sarah Engledow chronicles Rick Amor's work and accomplishments in this extensive essay in conjunction with the exhibition Rick Amor: 21 Portraits.

Dr Anne Sanders

Less than six degrees of separation

Lecture, 28 May 2011
General content

Dr Anne Sanders NPG Curatorial Researcher investigated the lives of the pioneering psychologists whose portraits are featured in Inner Worlds.

Trevor Jamieson, 2016 by Brett Canet-Gibson

The more things change...

NPPP 2017 exhibition essay
General content

Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2017 Prize.

Graeme Drendel, 2016 by Mark Mohell

Graeme Drendel

Explore The Popular Pet Show

I like talking about Drendel’s pictures as if they expressed dreams of my own.

Lesley Harding

Faces of war

Lecture, 14 May 2011
General content

Lesley Harding, Curator, Heide Museum of Modern Art, Melbourne explores Albert Tucker’s experience of World War II, his interests in the intersection between psychology and creativity, and their influence on his portrait making.

George Reid paperweight

Some prime ministers

General content

Sarah Engledow explores the history of the prime ministers and artists featured in the exhibition.

Fiona McMonagle, 2016 by Mark Mohell

Fiona McMonagle

Explore The Popular Pet Show

Fiona aims to create a dangerous situation with a flood of water on the paper, forcing each work to the point where it can fail, and then rescuing it. 

David Marr, 2011 by Nicholas Harding

Nicholas Harding: 28 Portraits

Exhibition essay
General content

Sarah Engledow looks at three decades of Nicholas Harding's portraiture.

The Art Lovers - Megan, 2013 by Gary Grealy

Everybody, look serious

NPPP 2014 exhibition essay
General content

Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2014 Prize.

Dr Reg Hook

Inner Worlds and psychoanalysis

Lecture, 4 June 2011
General content

Inner Worlds evokes a broad view of psychology as a discipline. However, the specific interests of the practitioners whose portraits are included in the exhibition incorporate specialist areas including psychoanalysis.

© National Portrait Gallery 2024
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency